Chris Lux: Find Out Why They Call Them Pigs
November 5 - November 26, 2011
Opening Saturday, November 5th, 6-9pm
The Jancar Jones Gallery is pleased to announce an exhibit of new work by San Francisco-based artist Chris Lux, titled Find Out Why They Call Them Pigs. The show will consist of a selection of sculptures and drawings started during the artist’s recent stay in Italy and completed upon his return to San Francisco.
Inspired by the Animal Room (a collection of statues amassed by Pope Pius VI throughout the 18th century) in the Pio-Clementino Vatican Museum, Lux will address Roman and Etruscan symbology to create his own bestial menagerie. By likening rough abstract figures to prescribed animal counterparts, his grouping of forms invariably blends the ancient with the modern.
Continue reading "LA - Chris Lux "Find Out Why They Call Them Pigs" (11.05.11 - 11.26.11)" »
PURE LOGO curated by Skullphone
October 22 - December 10, 2011
Opening Reception Saturday October 22, 7-10pm
New Image Art is pleased to announce PURE LOGO, a group exhibition co-curated by Los Angeles artist Skullphone, which features the diverse multimedia artists Evan Gruzis, Curtis Kulig, Takeshi Murata, Cleon Peterson, Skullphone, Paul Wackers and Hugh Ziegler.
PURE LOGO explores the omnipresence, necessity, form and functionality of logos as they metamorphose to communicate within increasingly brief discourses. The trajectory of each individual artist informs the exhibition's overarching investigation of logos, both literal and symbolic, and links the artists through investigations of representation.
Continue reading "LA - "Pure Logo" curated by Skullphone (10.22.11 - 12.10.11)" »

Pace Prints, in cooperation with the Keith Haring Foundation, is pleased to present its first exhibition of prints and small-scale multiples by Keith Haring. The exhibition focuses on editioned works created between 1983 and 1990.
Printmaking was an essential part of Haring’s work. He believed in the inherent democracy of creating limited editions that could extend the reach of his imagery in an attainable and affordable manner. Haring was as fascinated by the process of printmaking as he was with any medium he tackled, and he worked hands-on with numerous print publishers in the USA, Europe and Japan. In the course of his 10-year career, Haring created over 60 separate and distinct editions on paper using a variety of methods including lithograph, silk-screen, etching, embossing and aquatint. Ever prolific, Haring also created small-scale multiples in aluminum, wood, concrete and terracotta, several of which are also on view.
Continue reading "NYC - Keith Haring (10.14.11 - 12.03.11)" »
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