Mariah Robertson: Nudes, Still Lives, and Landscapes
November 3- December 8, 2007
Opening Reception Saturday November 3rd, 2007, 6-8pm
In Mariah Robertson’s exhibition Nudes, Still Lives, and Landscapes, the conceptual artist revisits early photographic techniques to question the transparency of viewing the present. Techniques like ambrotype, solarization, and photocollage threaten to disappear in the wake of digital photography. In using what Robertson calls “alternative historical practices,” her uncanny black and white photographs read as contemporary critiques on the subjective nature of looking. If classical still life photography dictates that the technique be crystal-clear and the objects presented be mute subjects, Robertson deftly, and with a sly sense of humor, appropriates the standard tropes of still life photography to critique what we view as normal, innocuous, and natural. In decisively reaching for conceptual tactics of appropriation and reframing, the deadpan, seemingly “normal” photographs of nudes, still lives, and landscapes become charged fields of looking, full of interference from an unstable past.
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